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Pinhole Drawings ( 60 ) 2005
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A4: Administrative formal structures of commerce / business and the intimacy of correspondence.
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Discipline and repetition is used to pit gesture against calculated modes of production. Authorship thrown into question by the irony of procedure.
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Repetition alluding to memory, intuition and the fragility of originality.
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Concerns with gender / class / taste; the conflation of the hierarchy of domestic decoration and fine art.
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Touch: the libidinal, transgressive pleasure of exquisitely puncturing the visceral surface.
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Repetition not primarily to induce meditation on temporality, nor Zen contemplation, yet pursuing to its extreme a form of liberation.
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Praxis: an attempt to un-pick / deconstruct the surface qualities, in order to explore the poetics of life beyond the facade.